Not Given Lightly: The Chris Knox Story

Author Craig Robertson
Rights Available World excl. NZ


In the mid-1990s, the Village Voice described Chis Knox as ‘indie rock’s premier oddball singer songwriter’ and, when Knox suffered a stroke a decade later, Yo La Tengo, Bill Callahan, the Mountain Goats and Jeff Mangum of Neutral Milk Hotel all piled in to a tribute album and concert.

Who was this epileptic, opinionated, heckling, shorts-and-flip flops-wearing, endlessly creative musician from New Zealand? How did his music with the Tall Dwarfs and as a solo artist, as well as his key role recording everyone from the Chills to the Clean and instigating the Flying Nun record label, reshape lo-fi, do-it-yourself, post punk musical culture? Not Given Lightly tells the story of Chris Knox and the reshaping of post-punk music for the first time.

About the Author
Craig Robertson
grew up in Dunedin, New Zealand, where as a student he wrote a thesis on the Flying Nun bands. He is now Professor of Media Studies at Northeastern University and author The Passport in America: The History of a Document (‘provocative’ – NY Times) and The Filing Cabinet: A Vertical History of Information (‘captivating’ The Atlantic). This is a labour of love by an enthusiast with a deep understanding of the man, the music, the scene, and the larger world of cultural history. Knox himself blessed the project before his stroke.

Description

Publisher
Auckland University Press

Extent
440pp

Format
230mm x 170mm

Binding
Flexi

Category
Non-Fiction

Genre
Music

Publication Date
August 2025

Rights Available:
World excl. NZ

Rights Agents:

World

Sam Elworthy
elworthy@auckland.ac.nz

Contact Auckland University Press
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Some of the catchiest and most intelligent songwriting ever conceived, acoustic
outsider poetry punk, mixed with a ‘studio as instrument’ artfulness, what
more could you want?

—Jeff Mangum, Neutral Milk Hotel

I felt Chris’s presence strongly throughout. I could hear his voice and picture
him in a way that felt very real. Past events felt authentic and vivid as though
Robertson was there in the background taking notes.

—Alec Bathgate, Tall Dwarfs